The Childhood Culture Wars: Dakota Fanning
Seem like a damaged child? Of course not. She looks exactly like the composed and intelligent child she was. She also knew very well that her critics wanted to silence her.
It’s a story about a girl whose voice and spirit are silenced, and then it’s about her reclaiming her voice on a deeper, truer level. It’s very interesting how the story that I’m trying to tell has been paralleled by the actual events of the making of the film.NY Times
The clip below occurs some time after she is raped as part of her healing process. It shows what a brilliant actor she is. Note the control as she builds confidence in the song.
And what of Fanning now? Going from strength to strength having shrugged off the critics – she continues to act, although not in major roles as she concentrates on her studies. She’s accepted a place at NYU. But then, she’s gifted.
But this is the thing about the warriors of the childhood culture wars. They are actually quite clueless, foolishly causing real abuse in attempting to chase imagined abuse. Perhaps the final word should go to Dakota.
It’s a movie, it’s called acting.
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Bliss is a young hippie girl with an extraordinary, untamed mind: a guitar prodigy, a synesthete, but can she tame her wild talent?
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